On-camera monitoring is handled by a Viltrox DC-X2 6-inch HD touchscreen monitor, providing a bright, high-resolution display for focus, exposure, and framing.

The monitor comes with a cold shoe mounting adapter for flexible positioning, two NP-F550 batteries, a NP-F970 battery for extended operating time, Watson D-Tap Dummy Battery, a Blackmagic 12G SDI to HDMI Micro Converter, and the necessary video and power cables allow the monitor to interface seamlessly with the RED KOMODO and other professional camera systems.

The support package includes a Manfrotto 516 Pro fluid head with Manfrotto 3058 tripod legs providing a robust platform for professional cinema camera builds up to 22 lbs.

For dynamic camera movement, it also features a homemade straight-track dolly.

A NOGA articulating arm, SmallRig cheese plate, Tilta wireless video mounting bracket, and Kondor Blue Cine Lock provide versatile mounting options for monitors, wireless video transmitters, and other accessories.

A camRade rain cover rounds out the package, offering weather protection for the RED KOMODO during exterior shoots

The wireless video system is centered around the DJI SDR Transmission transmitter and receiver, delivering low-latency, high-quality video for directors, focus pullers, and other crew members on set. A transmitter mounting plate and the necessary cabling make the system ready for integration with the camera, while an Accsoon CineView Nano transmitter provides an additional lightweight wireless monitoring solution for mobile devices.

For monitoring, the package features a FEELWORLD LUT11S 10.1-inch 2000-nit touchscreen field monitor, complete with its U-bracket mount, 12V power adapter, and cables to make it well suited for director's monitoring in both indoor and bright outdoor environments.

Wireless focus control is handled by the DJI Focus Pro Hand Unit, accompanied by marking rings for repeatable focus pulls. Also included are phone clamps, cold shoe mounts, a gimbal adapter for DJI RS2/RS3 Pro systems, and NP-F batteries with a dual charger, providing flexible mounting and power options for a variety of production setups.

The lens package is anchored by a matched set of Sirui Night Walker Super 35 cine primes consisting of 24mm, 35mm, and 55mm T1.2 RF-mount lenses. Designed with consistent color rendition, identical gear placement, and matched size and weight, the set allows for fast lens changes without requiring rebalancing on gimbal rigs to help productions move efficiently while maintaining a consistent look across focal lengths.

The package is further complemented by a Meyer-Optik Görlitz Biotar 58mm f/1.5 II EF lens, known for its distinctive vintage rendering and swirled bokeh, as well as a Laowa 4mm f/2.8 RF fisheye lens for ultra-wide creative perspectives. A basic Canon zoom lens is also available for general-purpose shooting.

Supporting the lenses are Tiffen variable ND filters in 67mm and 52mm sizes, step-up rings, and a diopter close-up filter set for macro-style shots.

The DJI RS 4 Pro gimbal provides a professional platform for smooth handheld camera movement. This kit is equipped with two BG30 battery grips, DJI Focus Pro motor, and Ronin RavenEye image transmitter for wireless monitoring and remote camera control. A full set of quick release plates, 15mm rod, camera control cables, and focus gear strips ensures fast setup and seamless integration with a variety of camera configurations.

A key part of the system is its camera control and communication cabling, which includes DJI’s L-shaped multi-camera control cable (USB-C, 30 cm) and a multi-camera USB-C control cable (11.8") for direct integration with supported camera systems. Critically, the kit also includes a RED KOMODO run/stop trigger cable, allowing the gimbal to start and stop recording directly from the RS 4 Pro controls, streamlining operation during handheld or moving shots without needing to touch the camera body.

To expand operating flexibility, the kit features a DJI briefcase handle, dual handgrips, NATO rails with shoe mounts, a SmallRig monitor mount, smartphone holder, and a counterweight kit for balancing heavier lens setups.

The stabilization support is built around the DigitalFoto THANOS-PRO II Gimbal Support System, a full vest-and-arm stabilizer designed to offload weight from handheld gimbal setups and enable long-duration operating.

A central component is the adjustable carbon fiber monopod sled, supported by a sled base, yoke, and collar system, allowing the gimbal to transition between handheld operation and stabilized “float” support modes. Balance and tuning are refined with included 1.1 lb and 2 lb counterweights, along with a slide bracket system, security mounting screw, and a full set of Allen keys for field adjustments.

Power and connectivity are handled through a V-mount battery plate with 15mm LWS rod mount, along with a wide range of power distribution options including D-Tap to DC cables (for BMPCC and monitors), a USB-A to DC cable, and dummy battery adapters for Sony NP-FW50 and Canon LP-E6 systems, enabling direct camera and accessory power from the rig. A DigitalFoto Ironman 11-inch magic arm (17 lb payload) provides strong mounting support for monitors or transmitters.

Power is handled through a Watson 4-bay NP-F charger for battery rotation, a compact UGREEN 10,000 mAh USB-C power bank for lightweight on-set charging, and an EnginStar 300W / 296Wh portable power station for higher-draw devices and extended field power needs.

The lighting kit centers around two GVM 800D-RGB LED panels, supported by diffusion, barndoors, a softbox, and a full stand setup for controlled key or fill lighting. Power flexibility comes from an AC adapter with cord for studio use and multiple NP-F750 battery packs with chargers for mobile operation, all stored in a dedicated carry bag.

For practical on-set shaping and motivated lighting, the kit includes Quasar Science Q-Lion linear LED tubes (Q20, Q10, Q5), along with a collapsible flag kit for fast light control and negative fill in tight spaces. Essentials like gaff tape and C-47 clips round out the package for quick rigging and cable management.

A practical grip package supports shaping and mounting light, including a 6.8 ft C-stand with boom arm and gobo head, Matthews baby pin, A-clamps, sandbags, and a GOBO head impact grip for wider tubes. Additional rigging adapters like a Manfrotto 1/4-20 to Euro thread adapter expand compatibility across mounting systems.